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  • Hem
  • Om Brötz
    • Om
    • Those were the days my friend…
    • Vänner i vått och torrt – samarbeten
    • Tack för stöd
  • Arkiv
    • Höst 2021
    • Vår 2021
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  • Program
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  • Brötz Sessions
  • Important info for musicians
  • Hitta hit & Kontakt
  • Brötz Sessions

    #6: Joel Haag, Jung-Jae Kim, Henrik Wartel

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    #1: Wartel/Ahlersten/Wartel

    Thu, December 16, 2021

    #2: SounDance

    Thu, January 13, 2022

    #3: Karin Wiberg & Harald Svensson

    Sat, February 26, 2022
  • Brötz Sessions

    #5: Mats Eklöf

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    #6: Joel Haag, Jung-Jae Kim, Henrik Wartel

    Wed, May 18, 2022

    #2: SounDance

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    #3: Karin Wiberg & Harald Svensson

    Sat, February 26, 2022
  • Brötz Sessions

    #4: Mo Wiklund with Jonny Wartel and Henrik Wartel

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    #6: Joel Haag, Jung-Jae Kim, Henrik Wartel

    Wed, May 18, 2022

    #3: Karin Wiberg & Harald Svensson

    Sat, February 26, 2022

    #2: SounDance

    Thu, January 13, 2022
  • Brötz Sessions

    #3: Karin Wiberg & Harald Svensson

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    #1: Wartel/Ahlersten/Wartel

    Thu, December 16, 2021

    #6: Joel Haag, Jung-Jae Kim, Henrik Wartel

    Wed, May 18, 2022

    #2: SounDance

    Thu, January 13, 2022
  • Brötz Sessions

    #2: SounDance

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    #3: Karin Wiberg & Harald Svensson

    Sat, February 26, 2022

    #5: Mats Eklöf

    Wed, April 27, 2022

    #1: Wartel/Ahlersten/Wartel

    Thu, December 16, 2021
  • Brötz Sessions

    #1: Wartel/Ahlersten/Wartel

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    #5: Mats Eklöf

    Wed, April 27, 2022

    #2: SounDance

    Thu, January 13, 2022

    #3: Karin Wiberg & Harald Svensson

    Sat, February 26, 2022

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Brötz Brötz Brötz

Brötz Brötz Brötz
YouTube Video UCWwxLmcB84JBo6j3DNqfnXQ_Qbpudhg4Pbk Music For Whales Marcus Wärnheim – altsaxofon och objekt Georgia Wartel Collins – kontrabas :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Den nystartade duon music for whales spelar musik som uppstår i stunden. Med de akustiska instrumentens utvidgade klangpaletter som byggstenar skapar de tillsammans musik genom intensivt lyssnande och sina egna högst personliga språk. Med en stor poetik och en stark känsla för nuet navigerar de det ljudande rummet som uppstår i varje flyktigt ögonblick.
Music For Whales Marcus Wärnheim – altsaxofon och objekt Georgia Wartel Collins – kontrabas :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Den nystartade duon music for whales spelar musik som uppstår i stunden. Med de akustiska instrumentens utvidgade klangpaletter som byggstenar skapar de tillsammans musik genom intensivt lyssnande och sina egna högst personliga språk. Med en stor poetik och en stark känsla för nuet navigerar de det ljudande rummet som uppstår i varje flyktigt ögonblick.
Tim Harald Peter Tim Perkis – electronics Harald Svensson – piano Peter Janson - bass ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Tre ekvilibrister möts för första gången på scen.
LUIGI BOZZOLAN (Rome1978) // för närvarande baserad i Gällivare, Sverige – Laponia. Pianist, kompositör, musiklärare och projektledare delar Luigi sin tid på att undervisa och utföra konserter. Han erkänns enhälligt för sin fina känsla av harmoni, teknik och stark konstnärlig personlighet. Nyligen styr han sin professionella verksamhet mot solokonserter. Från och med 2008 som projektledare börjar han utöka sin konsertverksamhet i Europa och över hela världen (Italien, Morrocco, Gabon, Kamerun, Polen, Tyskland, Slovakien, Guatemala, Colombia, Peru, Chile, Brasilien, Argentina, Kenya, Frankrike , Danemark, Schweiz, Sverige …) som solist, ledare och medledare i Jazz-Impro-Contemporary-områdena.
I associate Christer Bothén with a Maestro. I look upon him as a Maestro. A true MAESTRO. Of music. Of Life. A Maestro needs pupils. And pupils need a Maestro. To be given perspectives on Music and Life. It works both ways. It is a sharing of ideas and previous experiences. In order to make music NOW and onwards. In order to live. This is old school. And this is the way it works. And HAS to work. The true mechanics of artistic work and a creative way of living. We learn from other people. From their experiences. We learn from mistakes. The ones we make ourselves. And others. Music, experience and life travels through generations. It never stops. It shall never stop. And it WILL never stop. Christer was (literally) travelling a lot back in the days. Living in Morocco and in Mali. Playing music. Sharing it all. Learning from his Masters. Figuring it all out. During our lifetime – In music and life – we only have a few Maestros, who we draw a lot from. Inspirations and knowledge. The ones we have – the ones who choose us – mean all to us. We trust them on all levels possible. And we learn. We move on. We learn HOW to move on. Christer has been a true Maestro for me. The things he says, shares and what he plays. I was lucky to be part of his Christer Bothén Acoustic Ensemble in the 90s. And now we share the stage in numerous situations: in duo, in small groups, with Fire! Orchestra and in projects devoted to the music of Don Cherry (of whom Christer was a teacher back in the day!). We share it. The music. The life. And we learn. In a never-ending process. I was asked to lend an ear to the music of Christer Bothén in this present trio formation. F**K!!!! This is IT! The sum of all the years of experience, travelling and sharing coming together in an amazing explosion of poetic beauty! Right NOW. I have played many of these songs myself, with Christer and in my own groups. The compositions are KILLER! I love them. They open up the possibilities for a/the road to follow. Fundamental poetry. The CB Trio is nailing it all. The ultimate takes of the songs. In just a trio setting, with loads of air and space present. This makes the compositional work even more brilliant and obvious. Christer has worked a lot with larger ensembles of his, in the past, resulting in an extreme multilayered and complex music. To hear this music in a trio setting is a revelation to me. It is so clear. So sharp. Full of details and a gushing flow of energy. Full of life. Bromander and Agnas are executing an interplay here, that is sensational. I will not review what I hear, I leave that up to the listener. (It should be pretty obvious that I value this album extremely high. This piece of vinyl IS spectacular!!!) This shit is d.a.n.g.e.r.o.u.s! And just plain beaty… I´m amazed how the low-end instruments actually travel so well together. Never in the way of each other´s frequencies. We talk about extreme-sub-bass-actions here: when the contrabass- clarinet is interacting with the beautifully bowed low- end of the double bass… I stop breathing. But, the absolute brilliant and sensitive cymbal touches of Agnas brings me straight back again. Phhhhheeeuuwww… what will happen now? NOW?! As a listener you are thrown into new situations over and over. How beautiful that is! And the melodies stay with me. Inside of me. Sharp as the figurative quality of a J.S Bach or a Thelonious Monk composition. Bringing influences and beauty of Ornette and Don into self explanatorily balance. The trio shares. Music. Life. The Maestro is setting up the story here. Never told before. But always known. Sharing is all. By interaction. Sharing is. Interaction. Maestro. La Baraka! Thanks for all the sharings. Of Music. Of Life. Mats Gustafsson, Nickelsdorf, August 2020
Brötz Sessions is a new series of filmed concerts capturing the Swedish free jazz music scene for the ages.(our ordinary live repertoire, http://blog.brotznow.se/). Follow us on Instagram and Facebook and subscribe on Youtube for all upcoming releases of Brötz Sessions. Dan Fröberg - electronics Tekla Fröberg - gitarr Rakel Fröberg -gitarr Camera: Hanna Östergren Jonny Wartel Editing: Hanna Östergren Sound recording/mix: Harald Svensson
BrÖtz no. 865 Harald Svensson-pi Sten Sandell Lisa Ullén duo-pi pi Christian Wallumrød-pi Hannah Nebosis-Live painting Timestamps: 0:00 Harald Svensson 26:32 Sten Sandell & Lisa Ullén 51:51 Christian Wallumrød :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Harald Svensson född 1954, är en svensk pianist och kompositör. Spelade på 70-talet med bl.a. trombonisten Eje Thelin och i grupperna Egba, Resa och den funkinspirerade ensemblen Häxmjölk under ledning av gitarristen Jan Tolf. Senare medlem i jazzgruppen “Entra” tillsammans med Anders Jormin bas, Staffan Svensson trp, Thomas Gustafsson sax, samt Audun Kleive tr. 1998 utgav Rikskonserters skivbolag Caprice CD’n Vanished into the Blue som var det årets bidrag till “Jazz i Sverige”. Under 2000-talet aktiv som ledare av improvistionsgruppen “Priming Orchestra” och medlem av Peps Blodsband. Från 2012 och framåt har Harald Svenssons musik i huvudsak präglats av ett friare improvisatoriskt tonspråk med det akustiska pianot som verktyg i mindre ensembler, bl.a. i samarbete kontrabasisten Nina de Heney, men också som solist. Som kompositör har han bl.a. skrivit musik för jazzensembler, slagverksenemblen Kroumata. Han har även komponerat för kör och i samarbete med dansaren Carmen Olsson komponerat elekroakustisk musik till ett flertal dansföreställningar. :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: STEN SANDELL stensandell.com Composer / musician / producer – piano, organ, voice, electronics, Sound/Text/Image Real-Time Composer, Doctor of Philosophy In Fine Arts in Musical Performance and Interpretation, University of Gothenburg, 2013 Member of The Royal Academy of Music in Sweden... ...Sten Sandell was awarded the Royal Academy of Music’s Jazz Award in 2012 with the motivation: “The pianist Sten Sandell is one of Swedish improvised music’s most brilliant, captivating and independent voices. His musical activities are characterized by a strong artistic integrity, and he has with great consistency developed a characteristic aesthetic attitude that inspires countless musicians. ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Lisa Ullén A native of Seoul, Korea, Lisa Ullén grew up in the northern part of Sweden, and is based in Stockholm... ...“Extraordinary is all I can say as I dive in to her unique approach. …Amazing piano, some of it prepared, which should appeals to fans of John Cage as well as of Cecil Taylor”. — Bruce Lee Gallanter, Downtown Music Gallery :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Christian Wallumrød has worked as a musician and composer since 1992, and he is considered one of the most prominent and influential musicians of his generation in Norway. Following his debut on ECM Records (“No Birch”, issued in 1996), he has released a string of albums with Christian Wallumrød Ensemble (CWE) on the same label, all to considerable critical acclaim. The record ’Outstairs’ was rewarded with the Norwegian Grammy... ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Hannah-Christina Nebosis (Vienna, AT) will perform a large-scale live painting inspired by the music. Only her shadow and the painting in process of being created are visible to the audience. The artist is painting behind the scrim. The visibility of the painting results from the use of strongly diluted paint and the illumination from the rear. Nebosis works as a freelance artist in the areas of fine arts, live painting, performance, literature and architectural art. She is currently spending an artist-residency at Konstepidemin in Gothenburg and is looking for live painting collaborations with local musicians of different genres. More about Hannah-Christina Nebosis: www.hannahnebosis.at Instagram: @hannahnebosis https://konstepidemin.se/en/guestartist/hannah-christina-nebosis-2/
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Carl-Erik Hammaréns Backe
Konstepidemin paviljong 8
413 14 Göteborg

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