BrÖtz no. 922 ons 2/4 19:30 Bandy Bandy + Hyperboreal Trio
– Musikstuderanden gratis! –
Bandy Bandy
Pelle Westlin – Tenorsaxofon/Klarinett
Emil Skogh – Kontrabas
Anton Jonsson – Trummor
Dessa tre har växt upp på varsin bandyort.
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Dessa tre älskar musik.
Dessa tre har länge haft planer på att spela musik tillsammans så under våren
2020 träffades de i Göteborg och repade och spelade in debutskivan som
släpps under denna turné på skivbolaget Grodor och Fåglar!!!
Originalmusik, äldre jazz och folklåtar, improvisationer. Bandy Bandy.
(Bild av Skogh, Bearbetad av Jonsson)
Hyperboreal Trio
Signe Emmeluth – saxofon
Ingebrigt Håker Flaten – bas
Axel Filip – trummor
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pic by Mona Hynne
Axel Filip is an Argentine drummer, composer, improviser and arranger currently based in Berlin. He is known for his versatility and ability to perform within a wide range of musical genres, from jazz and popular music to Argentine folk music, avant-garde, free and conducted improvisation.
As a composer, Axel explores the relationship between jazz, improvisation, poetry and folklore music, creating soundscapes that evoke complex yet visceral emotions. He has a keen interest in nurturing his artistic practice and developing a unique sound and language of his own.
In addition to his work as a performer and composer, in 2018 won a grant from the National Arts Foundation for a project that focused on researching, collecting, arranging, and recording music written by Argentine music composers. This project served to expand a repertoire of Argentine music arranged and reinterpreted under the perspective of jazz music, with a particular focus on using each piece as a platform for improvisation.
Axel obtained his bachelor’s degree in jazz music at the Conservatorio Superior de Musica Manuel de Falla in Buenos Aires and his European Jazz Master’s degree at the NTNU Music Department (Trondheim), Rhythmic Music Conservatory (Copenhaguen) and Jazz Institute Berlin.
As a bandleader, Axel has released “El equilibrio secreto de las cosas” (ears&eyes Records 2019), “Sesión Efénea” (Club del disco 2020), and “Sendero” (ears&eyes records 2021). His current project Axel Filip & Maleza features an international group comprising Mirna Bogdanović on vocals, Mathilde Vendramin on cello, Joakim Rainer Petersen on piano and Lisa Hoppe on bass with whom will release “Habitat” on October 26th 2023 through Unit Records.
OTHER EDUCATION
– Obtained a double diploma from the Patagonic Institute of the Arts (IUPA) for two seminars about Astor Piazzola’s music, both in analysis of his arrangements as drums in his music, given by Nicolas Guerschberg and Daniel Pipi Piazzola.
– Took part of two different residencies and concerts at Centro Cultural Kirchner with Marilyn Crispell and Ben Goldberg.
– Participates in a one week workshop with clarinetist and composer Ben Goldberg during his residency at Centro Cultural Kirchner.
– SIM workshop directed by Ralph Alessi in New York at the Brooklyn Conservatory of Music.
CONCERTS / FESTIVALS
Performed in many concerts and festivals such as Buenos Aires Jazz Festival, Jazz a la Calle (Uruguay), Lučenec Amfiteater, ZWE Jazz Club (Vienna), Santa Fe Jazz Festival, ShapeShifter Lab (NYC). Stilverk1 (Trondheim), Improklubb (Bergen), Samfundet Theater (Trondheim), Centro Cultural de la Memoria Haroldo Conti (Buenos Aires), with Gården Contemporary Circus at Rinkeby (Stockholm), Hamar Jazz Club (Bergen), Thelonious Club (Buenos Aires), Copenhagen Jazz Festival (Denmark), San Martin Theater (Cordoba), Bushwick Improvised Music Series (NYC), Centro Cultural Kirchner and Usina del Arte (Buenos Aires), El Ganzo Hotel (San Jose del Cabo), KMH (Stockholm), Ramallo Jazz Festival, Roseti (Buenos Aires), Konsert Ni Muser (Trondheim), and many others.
Played and collaborated on different artistic projects with Fred Selva, Andres Beeuwsaert, Camila Nebbia, Paul Pignon, Juan Cruz de Urquiza, Ernesto Jodos, Violeta Garcia, Santiago Leibson, Sergio Wagner, Ingebrigt Haker Flaten, Signe Emmeluth, Martin Pantyrer, Mette Rasmussen, Juan Pablo Arredondo, Joakim Reiner Petersen, Ingrid Feniger, Stefan Bartus, Alexander Riris, Frederico Heliodoro, Pablo Passini, Alan Bartus, Rodrigo Amado, Francisco LoVuolo, Juan Canosa, Sebastian de Urquiza, Kenneth Jimenez and Valentin Garvie, among others.
Ingebrigt Håker Flaten (b. 1971) — The award winning Norwegian bassist, improviser, composer and bandleader Ingebrigt Håker Flaten has been at the forefront of modern creative music both in his native country Norway and internationally since the early 1990s. Perhaps best known as a founding member of the Scandinavian super group Atomic, Håker Flaten has merged post-free jazz explorations and experimentation with skillful use of attributes from many other idioms in countless collaborations, bands and projects.
An innovative practitioner of both the double bass and electric bass, Håker Flaten studied at the highly respected jazz program “Jazzlinja” at the Norwegian University of Science and Technology in Trondheim. Early on, he gained attention as part of the groups The Source and Element, the latter formed with fellow students and life-long collaborators Paal Nilssen-Love and Håvard Wiik. Both Nilssen-Love and Wiik would later join Håker Flaten in Atomic, which the three Norwegians formed together with the two Swedes Magnus Broo and Fredrik Ljungkvist. Making their recorded debut in 2001, Atomic has since been celebrated and treasured by jazz enthusiasts and critics alike, and won many accolades along the way.
Throughout his career, Håker Flaten has reached beyond boundaries, both musical and geographical. In his musical approaches, grounded in the innovations and liberations of American and European jazz and improvised music of the late 50s and early 60s, he often takes on board other styles and idioms, such as the gnarl and heft of rock, the rhythmic bounce of hiphop, the atmospheric and melodic tones of folk music, and much more, taking the music into even new realms of discovery. Through such boundary breaking explorations, his many musical collaborations has taken him to many corners of the world, and in 2006 he moved from Norway to the USA; initially to Chicago and later settling in Austin, until returning to Norway in 2020. Through these moves, he has nurtured old and fostered new collaborations and interactions with musicians, both veterans and up-and-coming stars, based in and around those local, fertile scenes.
Ingebrigt Håker Flaten has performed all over the world and appeared on more than 200 recordings. Along with Atomic, he leads US based groups like the genre busting Young Mothers and Ingebrigt Håker Flaten Chicago Sextet, and plays in groups like Icepick, I.P.A., and Dave Rempis Percussion Quartet. He was previously a core member of the powerjazz trio The Thing with Nilssen-Love and Mats Gustafsson, as well as Free Fall, just to mention just a few past and present projects. Additionally, he often performs solo and in duos.
In group settings as well as on his own, he has collaborated with a wide array of stellar musicians like Joe McPhee, David Murray, Peter Brötzmann, Ken Vandermark, Rob Mazurek, Frode Gjerstad, Neneh Cherry, Mette Rasmussen, James Blood Ulmer, Bugge Wesseltoft, Paul Lytton, Chris Potter, Hamid Drake, Akira Sakata, Tony Malaby, and many others.
In 2015, Håker Flaten founded Sonic Transmissions. Initially a music festival that has since evolved into a concert and event series that runs throughout the year. Between 2015 and 2020, Sonic Transmissions has presented over 100 musicians from Norway, the US, Latin-America and Europe. Since Håker Flaten’s move back to Norway, Sonic Transmissions has been expanded into the Trondheim based festival Sonic Transmission North and label Sonic Transmissions Records.
In 2018 Ingebrigt Håker Flaten was awarded the Buddy Prize, the most prestigious award in Norwegian jazz. With Atomic, he has won the Norwegian Grammay award, Spellemannprisen, twice, and he has appeared in the Down Beat’s Annual Critics Poll on several occasions.
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Signe Emmeluth is a Danish saxophone player, composer and improviser currently based in Oslo. She graduated from the NTNU Jazz Department, Trondheim in 2017.
In recent years, Signe has marked herself as a growing voice on the scene for improvised music and she has become an important part of the music environment in Scandinavia through her playing and composing for her own band Emmeluth’s Amoeba as well as when playing solo.
She’s been collaborating with Mats Gustafsson, Kresten Osgood and Paal Nilssen-Love among others and is part of Gard Nilssen’s Supersonic Orchestra and is seen in different versions of Trondheim Jazz Orchestra.
With a sharp and unique tone her playing is easily recognized.
Melodies with rapidly changing octaves and a shift between the naive and playful to brutal primal screams are some of what makes up Signe Emmeluth’s vocabulary.
She received the prestigious JazZtipendiat 20/21 and premiered the work Physicality in/emotion for Trondheim Jazz Orchestra at Moldejazz 2021. In 2021 she was given the price “De Unges Lindeman” by Maja S.K. Ratkje. In 2022 she premiered her commission work Banshee at Vossa Jazz. In 2024 she will premiere her newest piece for larger ensemble ALT at Borealis – en festival for eksperimentell musikk.
“This young Danish alto saxophonist (based in Oslo) is an exceptional discovery.” – Matthieu Joaun, Citizenjazz
“Signe Emmeluth proves herself, again, as one of the most original and fresh voices in the Nordic scene. Provocative, mind blowing and emotionally engaging.” – Salt Peanuts*, Eyal Hareuveni
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Öppnar: 19.30
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